Experimental Printing

Collage with print on top. Also known as Chine colle. Something I've wanted to try for some time.

These are developing into more complex pieces with another layer of printing. Possibly another transparent layer of collage later, but I'll have a think about it. They are part of an edition of 15 for a voluntary group project for college across the HE students. Sorry the photos aren't really that good, it was late and I was exhausted after spending hours printing!

Applications, alterations and augmentations

I have applied to university. That, I think, you all know.

I nearly didn't.

I went to uni a few years ago, but only completed 3 semesters. I had a major emotional collapse for many and varied reasons, but couldn't complete the course, didn't get the real support I needed to return and quit completely. It was, in short, a horrific experience.

And now I'm doing it all again. This time, however, I am not naively expecting everyone to be socially and politically aware. Or even intelligent. God forbid we waste education on the clever!

I put off applying, in fear and trepidation. What if I am rejected? OK, so I have put in insurance applications, just in case my first choice rejects me. What if something worse happens? What if they accept me and I fail all over again?

Right, Sam, pull your socks up, stop thinking negatively, you can and will do this, because this is the key to your future, you will be spending 3 years in a fantastic city in a historical building doing exactly what you love to do! How could it go wrong?

So the application went to my college tutor, who sent it back for corrections. Not the personal statement, apparently that was "so you", and was perfect in tone and expression. No some minor numerical details were needing adjusting.

At this point I could have completely chickened and 'just not got it done'. Failed by lack of time.

I made the corrections and sent it back. All that was needed now was a reference from my tutor.

It glowed, throbbing with bright fiery light that burned the eyes that looked upon it and the hands that held the flimsy copy, it was so good. I didn't recognise the person she was talking about. But at the same time, yes, that WAS me.

GULP!

I might actually get in!

Ah but I still have to submit my portfolio. It will all go horribly wrong with that. bluff can only get you so far, but then you have to come up with the goods.

Looking at my work over the past 2 1/2 years I begin to see that, maybe, I may just about be able to squeeze a half decent portfolio of work out of it. Plus I have been printing a series of plates based on one drawing specifically for my portfolio. Just to show what I am capable of. That I can work in lots of different ways. I have ideas. I have skill. I have technical knowledge. I may even have talent.

And here is the latest addition to the portfolio. I really rather like it.

Development

As I go to life drawing most weeks, I end up with huge numbers of drawings of people. I have always had ideas about what to do, but mostly have never quite known how to execute them or how to move things on.

I'm getting better at this as time and my course move on, but occasionally it is still a struggle.

The recent drawings I've done at life class are a case in point. They are interesting, strange and in some cases lovely, what do I do with them?

One of them in particular was ripe for development and so I chose to turn it into a lino cut and see what came of it. Here are some of the results.

So in order:

1. The original drawing

2. Print on to black origami paper

3. Print onto bleached and dyed tissue paper

4. The reverse of the tissue paper print

5. A greetings card made from the print.

I want to do some further work on this plate and the printing, adding some background texture and detail perhaps, and creating something multi layered. Possibly over printing and reduction printing. But whatever I choose to do, the initial prints are looking very promising even though I say so myself.

What am I like 5

Had a really good week, rediscovering the joy of dry point etching. In learning lots of different, exciting, intricate and complex methods of producing a printable plate, I forgot about the first technique I learned.

A light touch is needed, but heavy lines have a strong value and areas can be scored out completely to have blackness like no other plate can give. Things can be stuck on top to give texture, and textures from all kinds of materials can be impressed into the dry point board to create effects and textures not seen in other plates.

Here are a few of the plates and prints I have succeeded with, from the very beginning.

This was part of my self portrait project from last year. I only printed this twice, as we were looking at lots of different techniques and needed to move onto the next fairly quickly.

I love the cross hatching and the sparseness of the line.






This was part of the cutlery project that nearly sent me insane, but I like the colours I used on this print and the clarity of the lines. It was a very simple print which worked really well. Then we didn't do any more dry points, moving on to etching and collagraphs, which were OK but have to be worked at to produce a good print.







This is the first plate for the new project, What Am I Like? I started this at home as I only have facilities to produce dry point and collagraphs at home, and don't have access to etching equipment here. I will do next year though. I love the quirky perspective and the deep dark blacks.








This is really not my usual style or subject matter, preferring the darker scarier dead kind of subjects. But it's one of my cats, Thunder, taken from some sketches I had done for the new project. I love the lightness of the lines and the way that using dry point I can vary the strength of the lines without too much effort.








This is the plate for the as the print is still drying. My dog, Gaspode. He of the squidgy face and the desperate need for love and attention.










The rest of these are as yet unprinted, and vary in size from A4 size down to about 3 inch squares. When I have prints from these I'll post them with the next update.

This one is Gaia, she of the yip yip yippee and the anteater tongue.






This is the Chaos monster and I don't think I need to describe a cat with that name!














Mantelpiece details








Floor details









More mantelpiece details.









Sorry that this is such an image heavy post. But I just really enjoy playing with dry point at the moment and I wanted to share, I'm nice like that.

The canvas 9

Finished it! Yay!

Well I say I've finished it, I've hung it on the wall to live with it a couple of days to see if it actually is finished and then I have to stretch and mount it. Plus I have all the sketchbook work to catch up on. I may also do some printing with the polystyrene plate I made yesterday. Always good to do some printing.

Plus I remembered that fun foam sheets are excellent printing media. So I may have a play with those too. Lots to play with.

Anyway here's the finished(ish) canvas. Answers on a postcard please. now!